The Ocean

Berlin, Germany

Members

  • Robin Staps (Vocals, Guitar, Percussion, Samples/Sequencer)
  • Nico Webers (Vocals, Samples/Sequencer)
  • Rene Nocon (Vocals)
  • Nate Newton (Vocals)
  • Jan Oberg (Vocals)
  • Caleb Scofield (Vocals)
  • Eric Kalsbeek (Vocals)
  • Jason Emry (Vocals)
  • Mathias ''Meta'' Buente (Vocals)
  • Jona Nido (Guitar)
  • Matthew Beels (Guitar)
  • Hannes Huefken (Bass)
  • Luc Hess (Drums)
  • Stefan Heinemeyer (Cello)
  • Karina Suslov (Viola)
  • Christoph Von Der Nahmer (Violin)
  • Katharina Sellheim (Piano)
  • John Gürtler (Saxophone)
  • Daniel Eichholz (Glockenspiel)
  • Jonas Olsson (Tambourine)
  • Tomas Svensson (Samples)
  • Nils Lindenhayn (Live Visuals)

The Ocean Collective (usually referred to as “The Ocean”) is an experimental rock band from Berlin, Germany. Their work combines elements of modern hardcore and technical metal with classical music and electronic soundscapes. The band often describes its sound as “ambient soundtrack doomrock”.

The Ocean was founded in 2000 by guitarist and songwriter Robin Staps. During the following two years, about 40 musicians joined and left the band until a stable line-up was established. July 2002 saw The Ocean play their first concert at Berlin’s now defunct semi-legal Eimer Club. Shortly after, the band released their eponymous debut album featuring “Islands/Tides,” a 30-minute-long song that also constituted the substance of their early live shows.

After a brief tour with Swedish crust punk outfit Coma in early 2003, the band signed to Make My Day Records, which then released “Fogdiver,” an EP consisting of five instrumental songs—despite the fact that on stage, at least two singers could be found. Unlike its predecessor, this recording received considerable acclaim from critics throughout a variety of genres.

During winter and spring 2004, The Ocean recorded what was to become the material for their two following albums. The calmer and more atmospheric half of this recording session was released as “Fluxion” in August 2004; a joint effort of Make My Day and Throne Records. While the fact that the band now used vocals on their recordings seemed to make the music more accessible to some, it also caused many other critics to consider the album a step backwards in terms of innovation and originality. In interviews, the band would comment on this by pointing out the close-mindedness of some of the reviewers and their supposed inability to deal with the harshness and brutality the vocals now added to The Ocean’s sound.

After signing to Metal Blade Records in summer 2005, all the remaining songs from the session were released as “Aeolian”. Since “Fluxion” and “Aeolian” had originally been planned as a double CD with a mellow and a brutal part—a plan that did not work out—, “Aeolian” came across as very different from its predecessor. Unlike on previous albums, classical instruments and electronic sounds were hardly used here, making the record sound rather minimalistic. But whereas “Fluxion” had featured only one singer, seven of them could be found on “Aeolian,” among them Nate Newton, Sean Ingram, and Tomas Hallbom, whose names were also used extensively for the album’s promotion campaign. According to the band, Meta’s voice on “Fluxion” had created a monotony that was to be avoided on “Aeolian.” March 2006 saw the North American release of the album. Later that year, a joint vinyl version of “Fluxion” and “Aeolian” was released by Throne Records, featuring three records in different colors.

The double-disc album “Precambrian” was released in 2007. ‘Precambrian’ is composed of a mini-CD with 22 minutes playing time entitled “Hadean/Archaean”, and a full-length CD with 62 minutes playing time, entitled “Proterozoic”, both referring to successive geological eons within the Precambrian. The songs are divided into 5 subordinate eras, with the song-titles carrying the names of subordinate geological periods.

Releases

Detailed discography - Add release

Title Type Rating Label Release datesort icon
Islands/Tides Demo
8.5
unsigned January 1, 2001
Same Demo
10
unsigned March 4, 2002
Fogdiver EP
10
Make My Day Records June 9, 2003
Fluxion Full-length
8.5
Make My Day Records November 15, 2004
Queen of the Food-Chain/Inertia Single
10
Futhermocker Records October 10, 2005
Burst / The Ocean Split
10
Garden of Exile Records October 24, 2005
Aeolian Full-length
8.75
Metal Blade Records November 28, 2005
Precambrian Full-length
9.4
Metal Blade Records November 2, 2007
Heliocentric Full-length
9.46667
Metal Blade Records April 9, 2010
Anthropocentric Full-length
9.09091
Metal Blade Records November 19, 2010

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Comments

Every album is different. I thoroughly recommend checking out Precambrian and the re-release of Fluxion. Precambrian has some kind of djenty moments, which is why they are featured on this site.

The only album from these guys that I know is Anthropocentric (which is awesome) but despite a couple of post-rock moments it doesn't sound anything like post-metal. Why are they tagged as this and more specifically: only as post-metal. Is their older material so different?

I first got The Ocean's Heliocentric album and wrote it off like, for ever coz I didn't like the sound of the first couple of songs. I'm listening to the rest of the album now and realising how wrong I was. I like the sound, diversity of music, and the creativity..the originality..yeah it's the mangoes, basically! The Ocean!!Laughing out loud

Last two albums are masterpieces. Even though I dont listen to this genre too much...

I've met them personally,they're great musicians anda great persons. THE OCEAN 'TIL DEATH!

awesome stuff. heliocentric is a totally awesome and a very original album. robin is a genius.

Very good addition. One of the best Post-Metal bands out there.